Sunday, 14 February 2010

Is he or isn't he? - Martin (1977)

We meet Martin on a night train on his way to Pennsylvania to see his uncle. After dark he sneaks to the door of a lone travelling woman, picks the lock and lets himself in, armed with a syringe. The woman is in the toilet so he hides behind the door, surprising her when she emerges and jumps on her. He injects her and tells her not to be afraid and that she will just fall asleep. "I'm always careful with the needles."

She falls asleep like he said she would, he gets undressed and takes off her bathrobe. The scene is almost beautiful if you forget what he is doing. He takes out a razor blade from his bag, cuts her wrist and drinks her blood.

Martin is a vampire.

Or is he? The next morning Martin (John Amplas, Creepshow) gets off the train in bright sunlight and doesn't seem at all phased by it. Amplas' general physique is that of a geeky, awkward teenager, with an amusing "leggy" walk. Although facially he has the features of the romantic vampire vision; full lips, predominant teeth (not fangs) and wavy hair. Put him in a frilly shirt and he would not look out of place. He has black & white visions, or maybe they're flash backs, of him in another time, seducing female victims, drinking their blood and being chased by the torch carrying yokels.
When we get to his uncle's house it is apparent he knows all about Martin. He warns him not to take from the village. He does though, but he is almost always very careful.

I found myself hoping Martin would succeed. He was quite innocent and yet in other ways profound. He thought that the fact he had not had sex with someone awake, meant he had not really had sex. So when he is propositioned by a bored housewife he is too shy to accept... at first anyway. This relationship becomes his downfall. This is one of those vampire films that links the drinking of blood to sex and sexuality and does it very convincingly. Acting impulsively and completely free is quite sexy and attractive.

Martin dismisses his uncle's garlic and crucifixes and violent attempts at exorcism, insisting there is no such thing as real magic. It is quite a fascinating idea that there could be vampires and that they are not effected by such things because there is no higher power, no God. They just exist. They just are there along side the rest of us.

8 comments:

  1. I love this movie. I think it has so many deeper meanings to it, so many levels...

    http://billylovesstue.blogspot.com/search/label/martin

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  2. I know the of the Dead series is Romero's big contribution to the genre, but I think I actually like Martin the best of everything he's done. Romero's relatively static shots, the blighted urban settings, and the excellent dance of sympathy regarding the lead character, all of it hits just right.

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  3. One of Big George's best and the inspiration for one of Soft Cell's greatest songs!

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  4. Love this movie. If you are looking for something quasi-similar (the man character's name is Martin) here is another fantastic and original take on the vampire genre.

    http://www.planetofterror.com/2010/02/maidenhead-2008.html

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  5. Romero's best film and one of my favorite films. Just a beautiful and haunting film.

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  6. Outside of the Dead trilogy, this is easily my favorite Romero film, it is brilliant and subtle, a very neat little flick!

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  7. This movie touches upon religion a lot. That scene where Romero himself cameos as a priest says it all.

    Martins uncle was a crazy religious fanatic and quite possibly killed a real kid. Or did he???

    Also, Martin is always saying it: "there is no real magic" Its the same as saying "there is no god, no angels, no ghosts and so forth.."

    Thats what I loved about this movie, its ambiguity. You never really know.

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  8. While I wouldn't go so far as to label Martin as timeless, I'd certainly argue that the film holds up extraordinarily well by today's standards with regard to both its themes as well as its production.

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